The Berklee Global Jazz Ambassadors are an ensemble band chosen from the most accomplished graduate and undergraduate-level players and composers enrolled in the prestigious Berklee Global Jazz Institute, an honors program at Berklee College of Music in Boston, where gifted musicians go to become student leaders of a world community, with a mission to effect positive social change. The individual musicians performing in the ensemble at the Dominican Republic Jazz Festival will be announced.
Marco Pignataro is a talented saxophonist, composer, educator, and columnist of Jazz originally from Bologna, Italy. He has performed extensively in Europe and America at jazz festivals and international music venues sharing stages with artists such as Eddie Gomez, Joanne Brackeen, Danilo Pérez, George Garzone, John Patitucci, Rufus Reid, Billy Drummond, and Victor Lewis among others.
Marco Pignataro’s latest album “Sofia’s Heart” was produced by jazz legend Eddie Gomez and features Marco’s compositions and arrangements, with Eddie Gomez, Bill Drummond, Matt Marvuglio and Mark Kramer. The acclaimed album “Per Semper” Eddie Gomez Quintet with Marco Pignataro was released by BFM discs in 2012. Marco’s new CD “Almas Antiguas” with Eddie Gómez, Alan Pasqua, Adam Cruz and George Garzone will be released in the summer of 2017.
Until recently, Marco was director of the Department of Music of the Jazz and the Caribbean and the Chair of Jazz Saxophone at the Conservatory of Music of Puerto Rico. During his stay at the Conservatory of Music in Puerto Rico, he developed the jazz saxophone curriculum, founded and directed the CMPR Jazz Faculty Ensemble and co-founded the bachelor’s degree in music in jazz and Caribbean music studios.
Marco Pignataro is the Managing Director of Berklee Global Jazz Institute and serves as Artistic Advisor to the Dominican Republic Jazz Festival and FEDUJAZZ.
GRAMMY® award-winning drummer, composer and bandleader Terri Lyne Carrington was born in 1965 in Medford, Massachusetts. After an extensive touring career of over 20 years with luminaries like Herbie Hancock, Wayne Shorter, Al Jarreau, Stan Getz, David Sanborn, Joe Sample, Cassandra Wilson, Clark Terry, Dianne Reeves and more, she returned to her hometown where she was appointed professor at her alma mater, Berklee College of Music. Terri Lyne also received an honorary doctorate from Berklee College of Music in 2003.
After studying under full scholarship at Berklee, with the encouragement of her mentor, Jack DeJohnette, Carrington moved to New York in 1983. For 5 years she was a much in-demand musician, working with James Moody, Lester Bowie, Pharoah Sanders, and others. In the late ‘80s she relocated to Los Angeles, where she gained recognition on late night TV as the house drummer for the Arsenio Hall Show, then again in the late ‘90s as the drummer on the Quincy Jones late night TV show, VIBE, hosted by Sinbad.
In 1989, Carrington released a GRAMMY®-nominated debut CD on Verve entitled Real Life Story, which featured Carlos Santana, Grover Washington Jr., Wayne Shorter, Patrice Rushen, Gerald Albright, John Scofield, Greg Osby, and Hiram Bullock. Other solo CDs include 2002’s Jazz is a Spirit, which features Herbie Hancock, Gary Thomas, Wallace Roney, Terence Blanchard, Kevin Eubanks, and Bob Hurst, and 2004’s Structure, a cooperative group which features Adam Rogers, Jimmy Haslip and Greg Osby. Both CDs were released on the Europe-based ACT Music label and enjoyed considerable media attention and critical acclaim in the European and Japanese markets.
Carrington’s production and songwriting collaborations with artists such as Gino Vannelli, Peabo Bryson, Dianne Reeves, Siedah Garrett, Marilyn Scott have produced notable works as well, including her production of the Dianne Reeves GRAMMY®-nominated CD, That Day, as well as Dianne Reeves GRAMMY® Award-winning CD, Beautiful Life, in 2014.
Carrington has performed on many recordings throughout the ‘80s and ‘90s thru today. Notable examples of her work include Herbie Hancock’s GRAMMY® Award-winning CD Gershwin’s World, where she played alongside Joni Mitchell and Stevie Wonder. She has toured in many of Hancock’s musical configurations (from electric to acoustic) and is featured on his Future2Future DVD.
After a hiatus from the U.S. recording scene as a solo recording artist, Carrington returned in 2008 with More To Say… (Real Life Story: NextGen). Joining her was an impressive all-star cast of jazz and contemporary jazz instrumentalists, including George Duke, Everette Harp, Kirk Whalum, Jimmy Haslip, Greg Phillinganes, Gregoire Maret, Christian McBride, Danilo Perez, Patrice Rushen, Robert Irving III (who also serves as co-producer), Chuck Loeb, Dwight Sills, and legendary vocalists Les McCann and Nancy Wilson.
Carrington released The Mosaic Project in 2011, her fifth recording overall and first on Concord Jazz. The critically acclaimed CD, which won a GRAMMY® Award for Best Jazz Vocal Album, gathered a myriad of voices and crystallized them into a multi-faceted whole that far outweighed the sum of its parts. She produced the 14-song set which included some of the most prominent female jazz artists of the last few decades: Esperanza Spalding, Dianne Reeves, Dee Dee Bridgewater, Sheila E., Nona Hendryx, Cassandra Wilson, Geri Allen and several others. Carrington said the emergence of so many great female jazz instrumentalists over the last couple of decades is what made an album like The Mosaic Project possible.
In 2013, Carrington released Money Jungle: Provocative in Blue, her much anticipated homage to Duke Ellington, Charles Mingus and Max Roach, to coincide with the 50th anniversary of the release of their iconic 1963 Money Jungle album. The recording featured Gerald Clayton and Christian McBride, with guests Clark Terry, Lizz Wright, Herbie Hancock and others. Carrington made history when she became the first woman to win a GRAMMY® Award for Best Jazz Instrumental Album.
On August 7, 2015, Carrington releases The Mosaic Project: LOVE and SOUL. Like its predecessor, the album presents Carrington leading a rotating cast of superb female instrumentalists and vocalists that includes Oleta Adams, Natalie Cole, Paula Cole, Lalah Hathaway, Chaka Khan, Chanté Moore, Valerie Simpson, Nancy Wilson, Jaguar Wright and Lizz Wright, as well as saxophonist Tia Fuller, trumpeter Ingrid Jensen; bassists Meshell Ndegoecello and Linda Oh; and keyboardists Geri Allen, Patrice Rushen and Rachel Z.
On The Mosaic Project: LOVE and SOUL, Carrington juxtaposes her salute to female artists by paying homage to various male artists who have either influenced her professionally and/or informed her musicality, such as Nick Ashford, George Duke, Duke Ellington, Frank Sinatra, Luther Vandross and Bill Withers. “Whenever I do something that celebrates women, I never want it to feel like it’s something that excludes men,” she explains. “On this record, I consciously wanted to celebrate the various relationships women have with men either through original songs of mine or cover songs by male composers and song writers.” The male presence and perspective on The Mosaic Project: LOVE and SOUL is even more realized by Billy Dee Williams, who contributes insightful spoken-word interludes through the disc.
Krency Garcia was born in 1976 in the Dominican Republic. Son of the accordionist Luis Garcia, Krency began playing harmonic melodies on his father’s accordion at the age of five. At ten years of age, he won an accordionist festival. It was at this time that Professor Samuel Garcia recognized the talent and versatility of young Krency and gave him the nickname The Prodigy, and became his artistic promoter. Krency Garcia recorded his first single “No te vayas en yola” under his father’s direction at eleven years of age.
Krency went to New York at age fifteen to study musical theory and high saxophone at the Martin Luther King School. He studied singing at the Harlem School of the Arts, as well as online studies of theory and harmony at the famous Berklee College of Music. This formal musical training enabled the young talent to reach his potential as an original and authentic artist getting rid of certain limitating traditional musical codes. Krency participated in the Omega Arts Festival with the Psi Phi Fraternity Inc, representing New York, and won first place for two consecutive years.
In 1998, Krency returned to the Dominican Republic and formed “El Prodigio and La Banda Tipica” with the support of his artistic manager Aureliano Guzman. The musical innovations of Krency Garcia were not initially embraced by the genre traditionalists, but it was an achievement for the young aspiring artist to present a rhythmically diverse and progressive music to his native culture. Among his revolutionary songs are “Interplanetario, Se Aloco, Ven Dame Un Abrazo, Mi País, Traicionera, Pa’ Fuera, Jazz Ripiao como Periblues, Las Hojas Muertas, Mountain Dance and Manteca”.
The Prodigy has achieved the support of millions of fans and the recognition of such important artists as Juan Luis Guerra, Aventura, Chichí Peralta and the Cuban pianist Chucho Valdez. In 2012, Krency Garcia recorded for the second time with Juan Luis Guerra for “El Quita Pena”. He has been awarded five times with the International Casandra prize, granted annually by the Dominican Association of Art Journalist (Acroarte), performed at the Pan-American Games in Santo Domingo, Dominican Republic and has been invited to perform at numerous prestigious arts and music festivals, among them the Dominican Republic Jazz Festival.
Currently, Alianza Musical manages the artistic projection of Krency Garcia, El Prodigio.